Another walking conference, this time in Lyon, France:
We are looking for papers that engage the conceptual, cultural, textual, and visual dimensions of walking. Contributions may deal with how walking has become an aesthetic program, a form of reflection or a complex, frequently ambivalent metaphor; they may also discuss walking in light of its historical, ideological, aesthetic, philosophical, and poetical implications, or investigate two or more of these aspects jointly. Or they may ask how one can delineate the semantic field of ‘walking,’ which may evoke, among others, the notions of ‘rambling,’ ‘sauntering,’ ‘roaming,’ ‘hiking,’ or ‘perambulating,’ but also of the Aristotelian ‘peripatetic’ and, following Baudelaire and Walter Benjamin, of the “flâneur.” What are the values attached to these practices? How does walking enhance our knowledge of a specific place or environment? Are there differences between walking in ‘nature’ and walking in an urban environment? To what extent has walking reinforced or, perhaps, questioned the distinction between the rural and the urban? If major texts in this tradition, such as Rousseau’s Reveries of a Solitary Walker and Wordsworth’s The Excursion, focus on the countryside, walking is not only, nor even primarily, a rural phenomenon, but is also typical of urban modernity. How has walking as a literary genre evolved throughout the modern period, and, how, following its heyday during the Romantic period, has it been redefined in connection to modernist issues? To what extent does the aesthetics of the ordinary and of chance, which seem to be associated with walking, relate to aspects of postmodern nomadology? Is walking gendered?